Ottonian Art Is a Style That Shows Inspiration Came From Looking at the Work of

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900 -1050

A German art that flourished almost the years of the Ottonian Dynasties that ruled Frg and Northern Italy, Ottonian art was a fashion that did not have much widespread utilise and was created within imperial circles, regional cities, and monasteries.

This Pre-Romanesque movement followed the Carolingians and was highly religious in expression, consisting mainly of illuminated religious manuscripts and metalwork created for courtly and religious people of importance, with the exception of art created for religious pilgrims.

Early Ottonian fine art is excessively dense, heavy, and most gaudy, but later works are brighter and less structured with easier lines that evoke feeling rather than print it upon the viewer.

Ottonian Art Origins and Historical Importance:

"Ottonian Fine art" was non a termed coined until 1890 when Hurbert Janitscheck named it for the dynasty that ruled under the Ottonian Kings betwixt 919 and 1024.

The Holy Roman Empire transferred to the Saxon Ottonian dynasty. This joining of empire and church created an atmosphere of religious and social excitement that would be expressed artistically in neat works that composite the influential styles of prior movements into 1 gilded style.

Codex Aureus of Echternach – Ottonian Art

Because Ottonian art was made mainly for nobility and royalty of both political and religious realms, it was natural for those of importance to want "presentation portraits" forth with commissioned or funded manuscripts. Patrons wanted to be well thought of in the way that esteemed spreaders of the organized religion such as Constantine and Charlemagne were. This is done mainly in a manner that puts importance on the proffer of a person rather than the realistic detail of their appearance.

.Elements of the portrait tell the story of the subject area. For instance, in the case of rulers, the subject area will exist surrounded by armed services and church officials and icons representing the high points of the period of rule.

"There are, broadly speaking, three directly coordinating progressions in the history of fine art: in Antiquity, from the blockiness of Egyptian art to the loose, painterly treatment of Roman landscape frescoes; in the Middle Ages, from the tectonic emphasis of Ottonian art to the flamboyance of belatedly Gothic; and in afterward times, from early on Renaissance linearity to the sparkling spider web of lite spun by the Rococo. The wheel turns full circumvolve, but more rapidly each time. " ― Klaus Berger

The Ottonian illuminations are some of the well-nigh opulent and exquisitely rendered manuscripts from the tradition of illumination. Being the seat of the Holy Roman Empire gave the monks the resources and the money to create with abandon as much as a monk can. The monks chosen were the almost talented and the materials of the highest quality as these were commissioned by the highest rulers of both religion and monarchy.

Treasure bindings were mutual and with the marriage of Princess Theophanu of Hellenic republic to Otto II, the enamels and ivories pop in Byzantium began to be used in add-on to the metalwork already nowadays in volume covers.

The general public did not oft see beyond those opulent covers, merely if they had they would have seen more highly illustrated texts than seen elsewhere.

Situla of Gotofredo – Ottonian Art

Ornamental decorations seen in churches were frequently either golden or made of gold or silver.

This was not new to the world, but the Ottonians had their own mode using precious gems, ivory, cameos, crystal, and enamel to create elaborate art on art.

The base piece, be it a cantankerous or a vessel, was already cute in its own right, notwithstanding information technology might be decorated with projections and reliefs in the shapes of things of the natural or man-made world, topped with precious stones. Reliquaries received special attention equally they held the relics (small pieces of a human being saint or a religious object) so important to the church building and to the faithful.

Surprisingly this at this late date and inside the Christian church building, the stones decorating reliquaries was believed to have magical and medical aspects.

Work in ivory during this period was richly detailed and finely executed. Created mostly as covers for illuminated manuscripts, ivory carved panels oft bore religious scenes, especially those of Jesus being crucified. Vessels for holy water were besides carved from ivory and are very rare outside of the Ottonian period. These vessels, called situla, were carved from large elephant tusks into elaborate scenes from the base to the peak.

3 Holy Women at the Sepulcher – Ottonian Art

Ottonian Art Central Highlights:

• Realism in portraiture was so lacking in importance that pictures were repurposed to create later portraits. In 1 case, images of Otto III were reused as portraits of Henry II with no changes.
• Donors and patrons of a manuscript are often illustrated within miniatures to show their affiliation with the manuscript and in some cases to show the successive patronage and possession of the text, such as in the case of the Hornbach Sacramentary which takes upward eight pages showing the volume passing from the scribe, through eight people, eventually into the hands of Christ.
• A statuary cavalcade, called the Bernward Column, is a cast slice showing a progressive spiraling series of scenes from the life of Christ covering its twelve feet in pinnacle.

Ottonian Art Top Works:

• Situla of Gotofredo
• Basilewsky Situla
• Codex Aureus of Echternach
• Expulsion of Adam and Eve – Bernward door; Hildesheim Cathedral
• Dedication Magdeburg Plaque
• Gero Cross – Cologne Cathedral
• 3 Holy Women at the Sepulcher

Art History Movements (Order by the menses of origin)

Dawn of Man – BC 10

Paleolithic Fine art (Dawn of Man – 10,000 BC), Neolithic Art (8000 BC – 500 Advertisement), Egyptian Art (3000 BC - 100 AD), Ancient Near Eastern Art (Neolithic era – 651 BC),  Bronze and Iron Age Art (3000 BC – Debated), Aegean Art (2800-100 BC), Primitive Greek Art (660-480 BC), Classical Greek Art (480-323 BC ), Hellenistic Art (323 BC – 27 BC), Etruscan Art (700 - ninety BC)

1st Century to 10th Century

Roman Art (500 BC – 500 AD), Celtic Art. Parthian and Sassanian Art (247 BC – 600 AD), Steppe Art (9000BC – 100 AD), Indian Fine art (3000 BC - electric current), Southeast Asian Art (2200 BC - Present), Chinese and Korean Art,  Japanese Art (11000 BC – Nowadays),  Early Christian Art (260-525 AD,  Byzantine Art (330 – 1453 AD), Irish Art (3300 BC - Nowadays), Anglo Saxon Art (450 – 1066 AD), Viking Art (780 Advertizing-1100AD), Islamic Art (600 Advertizement-Present)

10thCentury to 15th Century

Pre Columbian Art (13,000 BC – 1500 AD), Northward American Indian and Inuit Art (4000 BC - Present), African Art (),  Oceanic Fine art (1500 – 1615 AD), Carolingian Fine art (780-900 AD), Ottonian Art (900 -1050 AD), Romanesque Art (yard Advertizement – 1150 AD), Gothic Art (1100 – 1600 AD), The survival of Antiquity ()

Art History - 15th century onwards

Renaissance Mode (1300-1700), The Northern Renaissance (1500 - 1615), Mannerism (1520 – 17th Century), The Baroque (1600-1700), The Rococo (1600-1700), Neo Classicism (1720 - 1830),  Romanticism (1790 -1890), Realism (1848 - Present), Impressionism (1860 - 1895), Post-Impressionism (1886 - 1904), Symbolism and Art Nouveau (1880 -1910), Fauvism , Expressionism (1898 - 1920), Cubism  . Futurism (1907-1928 )Abstract Art (1907 – Present Day), Dadasim,. Surrealism (1916 - 1970),. Latin American Art (1492 - Present, Modern American Art (1520 – 17th Century), Postwar European Art (1945 - 1970), Australian Art (28,000 BC - Present), South African Fine art (98,000 BC - Nowadays)

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Ottonian Art  – Major Artworks

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Source: https://www.theartist.me/art-movement/ottonian-art/

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